Forest II, Free Sound, Concert of Graphic Scores Array Space, Toronto
Wesley Shen performs solo harpsichord piece Varied Thrush (2021) in Soundstreams’ Electric Messiah, Toronto, December 15+16
Your Words are in my Tea, new work for Amy Horvey for quarter tone trumpet
Blended Airs, new work for flute for Stephanie Bell
Sept 17, 2023 7pm, 918 Bathurst, Toronto. Ryan Scott premieres my solo snare drum piece, Pebbles, as part of his 21st century solo snare drum project.
Jun 29, 2023, 8pm, St George by the Grange, Toronto. Wesley Shen performs my solo harpsichord pieces Varied Thrush (2021) and Small Meadows in Spring.
Feb 10, 2023. UVic Wind Symphony & The Naden Band of the Royal Canadian Navy premiere small stone figure (2021), Victoria, British Columbia, conducted by Captain Catherine Norris, CD.
Sept 17, 2022. Alkali Collective performs Fog (2014), Halifax, Nova Scotia
July 28-31, 2022. “Underwater” for Piano and String Quartet, Anthropic Traces, Balancing on the Edge, Crow’s Theatre, Toronto
July 8, 2022 Cheryl Duvall premieres Small … like the wren, Canadian Music Centre, Toronto
July, 2022 – One week workshop for new opera “Cells of Wind” commissioned by FAWN Chamber Creative with an original libretto by Oana Avasilichioaei.
Dec 16, 2021, Wesley Shen premieres Varied Thrush (2021) for harpsichord: Press Play Episode 18, Continuum Contemporary Music.
December 4, Alkali Collective performs Arctic Blooms (2019), Halifax, N.S., The Peggy Corkum Music Room, 7.30pm
Nov 26, Heather Roche (London, U.K.) performs I went down and down until the wing tips of angels brushed my eyes (2021): Bishop’s Gate Institute.
Nov 7, Keiko Shichijo plays Nocturne for ES (2019): Het Lichtruim | Bilthoven Netherlands.
bronze figures in Board of Ten by sculptor, Elza Mayhew. Part of the Reverberations Exhibition May-Sept 2022.
Music for Climate Justice. Late Winter, recorded by Cheryl Duvall, with video by Ella Sharp Morton, presented at U.N. Climate Change Conference, Cop 26, Glasgow, Scotland.
October 21, Late Winter featured on The New Yorker critic Alex Ross’ The Rest is Noise blog
Late Winter Video Premiere, September 21, 2021 @ 8:00 pm EST
Abalone (2021) for distanced ensemble, world premiere. Glenn Gould New Music Ensemble with Brian Current, conductor. June 3. Free online concert.
I went down and down until the wing tips of the angels brushed my eyes… (2021): new solo Bb clarinet work commissioned by Heather Roche, video performance as part of the Garden of Forking Paths Concert, April 17. Vibrant Practices: Link
video by Sam Walton
Also featuring works by Scott McLaughlin, Ed Cooper. José del Avellanal Carreño and Kevin CK Lo.
Snow and Voix (2011): two small melodic offerings composed in 2011 on poems by the late Canadian poet and translator, E.D. Blodgett. Both texts can be found in his wonderful book entitled Invisible Poem. Performance by Maureen Batt, Feb 28 (virtual concert pre-recorded in Lunenberg, NS). Presented by Musique Royale.
Cheryl Duvall’s recording of my solo piano work late winter features in Melanie Gordon’s film short, Mending Paper, with Jennifer Dallas. 
Fern (2013, rev. 2019) for solo alto flute. Online concert performance by Leslie Newman as part of Continuum Ensemble’s solo episodes: December 11, 2020. Link here
Arctic Blooms for clarinet, piano and violin and Tributary for bass clarinet, piano and violin. October 8, 2020, Canadian Music Centre, Toronto. Presented by the CMC with Wesley Shen, Anthony Thompson, Aysel Taghi-Zada. Freesound Concert Series.
For Cello and Piano (2020), miniature, May 30, livestream. Presented by the Thin Edge New Music Collective.
Snow Variations (2008) for chamber orchestra. Victoria Symphony ‘Other Echoes’. Saturday, April 25, 8pm, Dave Dunnet Theatre. Alongside works by Eve de Castro-Robinson, Leoni Holmes, Juliet Palmer, and Analia Llugdar. Cancelled due to Covid-19.
National Arts Centre #Canada Performs, April 26th, 4pm. Pianist Cheryl Duvall performs my Harbour alongside works about water by Emilie Lebel and Kotoka Suzuki.
In Concert, CBC radio, March 29th, 12.30pm. Featuring “Harbour”, a CD of solo piano works recorded by Cheryl Duvall (Redshift, 2020)
Nocturne for ES (2019) for solo piano, premiere by Andrea Lodge. March 9, noon, Bronx Community College, GML Rotunda, Bronx, N.Y.
2019
blind for violin, viola, cello and bass. December 16, 8pm. Pyatt Hall, 843 Seymour Street, Vancouver. Presented by Redshift Music Society “Aphotic Zone”. Alongside new works by Jason Doell, Bekah Simms, Rodney Sharman, and Jordan Nobles. Commissioned by Redshift Ensemble with the support of the CCA.
Harbour album release – Cheryl Duvall, solo piano. Wednesday, November 27 at 7.30pm at the Canadian Music Centre, Davie Street, Vancouver. And Sunday December 8th at 8.30pm at the Tranzac, Toronto.
ghosts of swallows (2009) for small chamber ensemble. October 23, 8pm. Ensemble Paramirabo, Chapelle historique du Bon-Pasteur, Montreal
Slanted Birds (miniature, 2011) for string quartet. October 10, 8pm. Lafayette String Quartet, Phillip T. Young Recital Hall, UVic. Click here for more information.
Darkness… Pines (2011) piano solo. October 5, 7pm. Thin Edge New Music Collective (Cheryl Duvall, piano). Freiburg, Germany.
Slanted Birds (miniature, 2011) for string quartet. June 8, 6pm. Brompton Quartet, Leith Hill Place, Leith Hill Lane, Dorking, Surrey, U.K. Click here for more information.
late winter for Adam Scime, piano left hand. June 5, 2019, CMC Toronto
Wind Cells – one act opera with FAWN chamber creative (Amanda Smith, Adam Scime), and Oana Avasilichioaei, librettist. Commissioned by FAWN chamber creative with the support of the Ontario Arts Council.
Small Meadows in Spring for Wesley Shen, harpsichord (Canada/The Hague). Premiere May 29, Netherlands.
Commissioned by Wesley Shen with the support of the CCA.
Adagio for Cheryl Duvall, piano. Premiere May 26, Ottawa New Music Creators Concert, Jacob Siskind Music Research Centre, MacOdrum Library, Carleton University. Commissioned by Cheryl Duvall with the support of the CCA & the SOCAN Foundation.
skins dissolving for Tempest Flute Ensemble. May 16th, Beaty Biodiversity Museum, Vancouver, B.C. Commissioned by Mark McGregor/Tempest Flute Ensemble with the support of the Canada Council for the Arts.
yellow bird and darkness… pines. Cheryl Duvall will premiere yellow bird and perform darkness… pines (2010) at A Place to Listen in Victoria, B.C., along with a premiere of the beautiful new innermost songs by Daniel Brandes.
Arctic blooms, April, A Place to Listen, Victoria. With Jason Doell, Hollas Longton (vn.), Nathan Friedman (cl.) and Daniel Brandes (pno.) Arctic blooms is supported by a CCA Research/ Creation grant.
Nuyamł-ił Kulhulmx (Singing the Earth): 11 Pieces about a Place
March 30th, at 8pm, Dave Dunnet Community Theatre
Victoria Symphony Orchestra, featuring Marion Newman and Bill Linwood, conductor. For more information, click here
Harbour for solo piano: Cheryl Duvall in concert
Wilfred Laurier Music at Noon Series, Kitchener-Waterloo
Thursday, January 24, 2019 at 12noon – more info here.
Icefolding for Glenn Gould School New Music Ensemble
Jan 20th, at 1pm, Mazzoleni Concert Hall, Telus Centre
21 C Music Festival with Brian Current, conductor
More information here. Commissioned and with Funding by the Royal Conservatory/ Koerner Hall.
2018
still water for Erika Nielsen, solo cello
Harbour for solo piano: Cheryl Duvall in concert. Le Sala Rossa, Montréal, Hosted by No Hay Banda. Nov. 26, 8 PM.
Eyri for clarinet, flute & viola: Krista Martynes, Suzanne Snizek and Joanna Hood. Residency and Performance at Open Space, Victoria, BC— August 2019. Commissioned by Krista Martynes with the support of the Canada Council for the Arts.
Coral for Standing Wave Ensemble as part of the Modulus Festival. Nov.6, 8pm at the Roundhouse Community Arts & Recreation Performance Centre. 181 Roundhouse Mews, Vancouver. Commissioned by Standing Wave Ensemble with the support of the Canada Council for the Arts.
Two-Week Residency, ArtsIceland / Outvert Art Space, Ísafjörður, Iceland, July 16 – 29. With travel support from the SOCAN Foundation and a residency grant from CCA.
Lattice, for piano & violin / Thin Edge New Music Collective
Bielsko-Biala, Poland June 14
Katowice, Poland June 15
An Fränzi for tenor & piano/ for Jonathan MacArthur & Darren Creech
June 8 @ 7.30, FAWN Pandora Workshop, Toronto
What her Friend Said for soprano & piano/ for Cathy Fern Lewis with Rachel Iwaasa
June 2 @ 4pm, St. Mary’s Anglican Church, 1701 Elgin Rd, Oak Bay New Music Festival, Victoria, BC
Float for piano and wind quintet/ Cheryl Duvall & Blythwood Winds
March 21 @8pm Heliconian Hall, Toronto
Interview for solo trumpet/ for Amy Horvey
March 3 @8pm Orion Series in Fine Arts—Philip T. Young Hall, Victoria, BC
tributary for violin, b. clarinet & piano/ Heather Roche, Tzenka Dianova & Ilya Gotchev
Feb 3 @ 2.30pm — Philip T. Young Hall, Victoria, BC
Lonesome Lake for solo piano: Stephanie Chua
January 22 @ 8pm Orion Series in Fine Arts— Philip T. Young Hall, Victoria, BC
Snow, Toy, Voix/Voice for voice and piano: Maureen Batt and Simon Docking
January 6 @ 2pm Open Waters Festival ’18— MacAloney room, Halifax, NS
Upstream Music Association
2017
The Invisible Forest, on poetry by Phoebe Tsang, with live video by Sonja Rainey. Written for baritone Alex Dobson and Continuum Ensemble. Scenography by Sonja Rainey and Kai Masaoka. December 8+9th— Aki Studio, Daniels Spectrum Theatre, Toronto
Commissioned by Continuum New Music with the support of the Canada Council for the Arts and the Toronto Arts Council.
harbour for solo piano, premiere November 11t
h, Cheryl Duvall, piano, alongside a new work by Adam Scime for Ilana Waniuk (violin and electronics)
Canadian Music Centre, performances: 3pm, 5.30pm, 8pm
Lattice for violin and piano: Ilana Waniuk and Cheryl Duvall
August 25th— Maureen Forrester Recital Hall, 8pm
Wilfrid Laurier University, Waterloo
murmuring for Baroque quartet and vines and shadows for solo harpsichord, premiere
August 16th, Wesley Shen, harspichord
7pm, Canadian Music Centre
golden apples concert with vocal-piano duo Jonathan MacArthur and Cheryl Duvall
7:30, August 11th— Array Space
float for Blythwood Winds (quintet) and piano (Cheryl Duvall)
June 10th— Heliconian Hall, Toronto
Commissioned by Blythwood Winds
ghosts of swallows for chamber ensemble
Thursday May 4, Glenn Gould School New Music Ensemble
Conducted by Brian Current
Nuyamł-ił Kulhulmx (Singing the Earth): 11 Pieces about a Place
February 26, 2017
Vancouver Symphony Orchestra, featuring Marion Newman and Bramwell Tovey, conductor
For more information, click here
2016
FAWN 2016/17 Fundraiser
Thursday December 1st, Electric Perfume, 805 Danforth Avenue, Toronto
For more information, click here.
water walking for Mira Benjamin (solo violin)
October 15, St Catherines Hatcham, London, U.K.
Transmission presents 1+1
alongside works by: Cassandra Miller, Taylor Brook, John Lely
The Pied Piper for soprano (Carla Huhtanen) and flute (Leslie Newman)
October 12, Koerner Hall. Commissioned by Soundstreams with funding provide by the Koerner Foundation.
Forest/La Forêt —residency at Matralab, Concordia University, July 5-15. With funding provided by the Matralab and the Ontario Arts Council. Photo credit: Ralitsa Doncheva
water walking for Mira Benjamin (solo violin):
*June 22-25 at Saltspring Island, Vancouver and Victoria
*August 2-7 at the nu:nord festival (a new music community-building project for Canada, Norway and the UK. 5-day colloquium in Huddersfield as well as concerts in Huddersfield and London
Commissioned by Mira Benjamin with the support of the Canada Council for the Arts and the Ontario Arts Council. With additional travel funding provided by the Canada Council for the Arts.
Lonesome Lake (2013) piano solo
April 22, Toronto, pop-up concert at Bunker Lane Press
1001 Bloor St. W. Rear (down the south lane way)
Stephanie Chua and Adam Sherkin, pianos
7pm: Composers’ Chat
8pm: Concert
Lehtiä (2014) for flute, harp & viola
May 14, Quebec City
performance by Ensemble Lunatik
Yet, the rain falls more darkly for Carla Huhtanen and the Array Ensemble. Commissioned by Array Music with the support of Daniel Cooper, Edward Epstein, and Roger D. Moore. Tuesday April 5th, 8pm, Array Space, Toronto
Paramirabo CD recording of Fog. Glenn Gould Studio with David Jaeger, producer
Snow, Toy, and Voix for voice and piano (Maureen Batt, soprano and Cheryl Duvall, piano)
Crossing Borders: Realities Blurred
March 13, Philadelphia (Biello Martin Studio)
March 20, Toronto (Heliconian Hall)
Fog (2015) for small ensemble
February 6, Montréal
performance by Paramirabo
2015 moths drink the tears of sleeping birds, Music Gallery, Quatuor Bozzini (Montréal), co-produced by Blue Moss Ensemble.
Moritz Ernst performs Allemain for solo piano
October 9, Canadian Music Centre
Two scenes from my opera What Time is it Now? (2006), with libretto by P.K. Page, are part of Bicycle Opera‘s 2015 touring production Shadow Box. They will be touring Nova Scotia from August 3 – August 11, and Ontario from August 17 – September 6.
Lonesome Lake (2013) for solo piano
Cheryl Duvall (piano)
March 27, Heliconian Hall, Toronto
March 21, Biello Martin Studio, Philadelphia
January 24, St. Andrews United Church, Halifax
Lattice (2012, rev. 2015) for violin & piano Continuum Ensemble, March 8th, The Music Gallery
Fog for Paramirabo and Thin Edge Collective combined tour, ‘Raging against the Machine.’ Commissioned by Paramirabo with the support of the Canada Council for the Arts & the Toronto Arts Council with funding provided by the City of Toronto.
Feb to April:
Music Gallery, Toronto
University of Manitoba, open rehearsal
New Music Edmonton
New Works Calgary
Music on Main/Little Chamber Music Series that Could (Vancouver)
Open Space (Victoria)
2014
Lehtiä for flute, harp & viola
written for Onyx Trio in conjunction with the Blue Moss Ensemble
presented by new music programming at Open Space, Victoria, BC
Saturday November 22, 7pm
Paisley for accordion and baritone sax
Commissioned by Ina Henning (accordion) & Wallace Halladay (baritone sax) on the occasion of Joseph Macerollo’s 70th birthday.
Walter Hall, University of Toronto
September 30, 8pm
Linen for 2 violins, cello and piano
Thin Edge Collective presents ‘Through Closed Doors’ at NUMUS Season Opener
Also featuring works by Ana Sokolovic, Anna Pidgorna, Brian Harman. Also Kyle Brenders and friends!
Waterloo
September 20, 8pm
Fern (2012) for solo flute
Patricia Dydnansky, flute
Contemporary Composers Concert, Congress 2014, St. Catharines
May 29, 8pm
Murmuring for traverso, baroque violin and cello, and harpsichord
May 9, 8pm, Chalmers House, CMC
A new work for early instruments reflecting on the experience of walking 200 kilometres of the Camino de Santiago in September 2013— from Camponaraya (near the city of Ponferrada) to Santiago de Compostela, Spain. Featuring Edwin Huizinga (baroque violin), Roseen Giles (traverso), Evan Buttar (baroque cello), and Wesley Shen (harpsichord). New works by composers Graham Flett, Chris Reiche, Chedo Barone, Christopher Butterfield, Emilie LeBel and Mitch Renaud. I wish to gratefully acknowledge the support of the 2013 Toronto Emerging Composer’s Award for the creation of this piece. Further thanks goes to the support of the Canadian Music Centre.
Interview (2007) for solo trumpet
Amy Horvey, trumpet
March 13, 2014
Cafe Resonance (5175 Avenue du Parc)
music at 8:30pm
Canadian Festival of New Trumpet Music, Montréal
Linen for 2 violins, cello and piano, written for The Thin Edge Collective
February 21, 2014
8pm Gallery 345 Toronto (345 Sorauren Ave)
Featuring performances of works by Anna Höstman, Anna Pidgorna, Ana Sokolovic and Brian Harman.
Nuyamł-ił Kulhulmx (Singing the Earth): 11 Pieces about a Place
Dec 4+5, 2013,
Artscape Wychwood Barns,
7pm screening of Cry Rock by Banchi Hanuse,
8pm concert,
A concert-installation presented by Continuum Ensemble and Marion Newman (mezzo soprano) reflecting on language, history and nature in the Bella Coola Valley. With Dylan Robinson and Patrick Nickleson.
This project gratefully acknowledges support by the Social Sciences and Research Council of Canada, the Universities of Toronto, Alberta, and The Center for Indigeneity in the Contemporary World at Royal Holloway (University of London), The Toronto Arts Council, The Canada Council, The Ontario Arts Council, the European Research Council, and Smayaykila Films.
2013
what her friend said (2008) for soprano and piano, written for Cathy Lewis
A Place to Listen
Cathy Lewis (soprano), Daniel Brandes (piano)
Sept 29, 7pm
James Bay United, 517 Michigan, Victoria
Program note: “What her friend said” is based on Kollan Arici’s poem of the same title. It is one of the earliest surviving texts of Tamil poetry from the Kuruntokai, an anthology of love lyrics probably recorded during the first three centuries AD.
The great city fell asleep
But we did not sleep.
Clearly we heard, all night,
from the hillock next to our house
the tender branches of the flower-crusted tree
with leaves like peacock feet
let fall
their blue-sapphire flowers.
pond tree for piano, percussion and cello, written for Blue Moss Ensemble
Rachel DeSoer (cello), Wesley Shen (piano), Daniel Morphy (percussion)
Sept 5, 8pm, The Array Space, Toronto
Alongside premieres by Otto Muller, Darren Miller, Emilie LeBel, and Mitch Renaud
Program note: On the north side of the mountain is a small pond, and beside it a tree. The walk back up is quite steep.
Fern for solo baroque flute written for Emma Elkinson
May 25, 8pm
Music Gallery, Toronto
Program note: Ferns do not produce any flowers, reproducing instead via spores under their leaves. In the world of Finnish mythology, a fern flower therefore symbolizes the unattainable: that which one seeks but to no avail. Existing only in the realm of illusion, it encapsulates the image of an unreachable object.
Drømde mik en drøm i nat… for english horn, french horn and string orchestra
I wrote this piece for my doctoral thesis. The title is taken from the oldest-surviving Nordic musical fragment with lyrical text, written at the end of Codex Runicus from the 14th century: “Drømde mik en drøm i nat um silki ok ærlik pæl” which translates as [I] dreamt me a dream last night of silk and lovely cloth.
2012
The Icy-Crystal No-Name See-Through Man, a children’s story written by Henri van Bentum, composed for the Music Corner Ensemble
December
Winifred & Robin Wood Recital Hall, Victoria Conservatory of Music
presented by: Victoria Conservatory of Music
Lattice for violin and piano written for the Thin Edge Collective
Nov 22, 8pm
Gallery 345, Toronto
Program note: Lattice is inspired by the work of Liang Shaoji (b. 1945), a visual artist who “sculpts time, life and nature” through the direct involvement of silkworms in all of the stages of their life cycles.
darkness… pines…longwall for solo piano
Oct 16, 7.30pm
Roger Admiral, Studio 27, Edmonton
DMA concert of recent chamber work including: Pine Trees & Blue Sky (2011), ghosts of swallows (2010), Allemain (2011), Rhizome (2012), & Straight Thin Lines (2012). Featuring Jane Wood, Ilana Waniuk, Mara Plotkin, Katherine Watson, Adam Scime, Kim Pritchard, Dan Morphy, Cheryl Duvall, & Larissa Koniuk
Oct 24, 7.30pm
Gallery 345, Toronto
Rhizome (re-imagined) for accordion and piano, commissioned by Ina Henning
DUO+for+CANADA, Ina henning and Stefan Schreiber (Stuttgart)
Sept 7, 8pm
Gallery 345 (345 Sorauren Avenue, Toronto)
Program note: Botanists still don’t fully understand flower production in bamboo: some flower infrequently, others only rarely, and some have never flowered in human memory. Depending on the species in fact, the flowers appear at intervals of several years, if not decades or even centuries (e.g. the following photo shows the Fargesia nitida species that flowers once every 120 years). When a particular species does flower it may be universal; in other words, all the plants in that species from the same generation, from the same parent rhizomes, no matter where they are around the globe, may flower at the same time. The plants flower profusely and often become weakened, so much so that they sometimes die.
ghosts of swallows for sextet (2009)
Continuum Ensemble— “New Music Now” Series, Ottawa Chamber Music Festival, hosted by Gary Kulesha with selected works conducted by Brian Current
August 7, 1.30pm
National Gallery of Canada
Carnival of the Animals (arr. for Music Corner Ensemble)
July 11, 11am
Concerts in the Park: Carnival of the Animals
Cameron Band Shell at Beacon Hill Park
presented by: City of Victoria
Healing I, Healing II: two photographic trios
July 5, Opening Exhibition and Reception
Bïzune Gallery Series Part II
452 Richmond St. West, Toronto
Seagull Aria from Rob Ford the Opera (Michael Albano, librettist)
June 30, 8pm— Toronto show at the Rustic Owl Cafe, 993 Bloor St. W.
The Bicycle Opera Project—
“Twelve wheels, six Canadian opera scenes, five instruments, three voices, and a sense of adventure…Travelling by bicycle from Toronto to Peterborough, Cobourg, Picton, Kingston, Belleville, Prince Edward County, & Gananoque and performing in concert halls and unusual spaces.” With opera scenes by Brian Harman, Anna Höstman, Juliet Palmer,Darren Russo, Adam Scime, and Chris Thornborrow.
The Little Prince, a children’s piece written for the Music Corner Ensemble
Winifred & Robin Wood Recital Hall, Victoria Conservatory of Music
presented by: Victoria Conservatory of Music
May 12, 3pm
Rhizome for solo accordion, commissioned by Ina Henning
March 9, 8pm
Emergents Festival, Music Gallery, Toronto
Allemain (a pudding from which acrobats leap) for solo piano, written for Jane Wood
February 26, 8pm
Gallery 345, Toronto
Alongside works by David Cecchetto (premiere), Christopher Butterfield (premiere), eldritch Priest, Adam Scime (premiere), Hiroki Tsurumoto (premiere), Josef Hauer
Rob Ford…(a collaboration with Massimo Guida, Saman Shahi & Adam Scime)… the Opera
January 22
MacMillan Theatre, University of Toronto
2011
ghosts of swallows for sextet
Continuum Ensemble
Nov 6
Music Gallery, Toronto
Emily’s Piece for orchestra, commissioned by the Victoria Symphony
Oct 11, 8pm, conducted by Tania Miller
Farquar Auditorium, University of Victoria
Alongside works by T. Stokes, Georgio Magnenensi, Veda Hille, Barbara Croall
Program note: Emily’s Piece is an orchestra work in four movements based on a quartet of 1930s paintings by Emily Carr: Spring (1936-7), Pine Trees & Blue Sky (1935), Untitled Seascape (1935), and Scorned as Timber, Beloved of the Sky (1935). This was a searching time for Emily Carr during which she challenged herself to find new approaches to express a deep connection to home, with its rainforests, mountains and ocean-swept skies. The paintings that resulted were some of the most progressive in Canada at that time.
pine trees & blue sky for sextet, written for Aventa‘s Ignite! Workshop
Sept 10
Philip T. Young Hall, Victoria
pine trees & blue sky for septet (arranged with pipa)
Beijing International Composer’s Workshop Ensemble, conducted by Jeff Meyer
July 23
Central Conservatory of Music, Beijing
Slanted Birds for string quartet
commissioned by Quatuor Bozzini as part of “Miniatures: a community creation project”
April 21, Montréal
darkness…pines…long wall for solo piano written for Jane Wood
Vertical Studies for flute, piano, violin and video written for the Pendulum Ensemble
Feb 4, 8pm
Heliconian Hall, Toronto
soft travellers for clarinet, trumpet, viola, double bass, harp, accordion, piano and percussion written for the gamUT ensemble
Jan 29, 8pm
Walter Hall, University of Toronto
