| Instrumental Solo | |||||
| 2023 | Pebbles | snare drum | for Ryan Scott | 6′ | |
| 2023 | Your words are in my tea | double bell 1/4 tone trumpet (CCA) | for Amy Horvey | 9′ | |
| 2023 | Blended Airs | flute (CCA) | for Stephanie Bell | 7′ | |
| 2021 | dès vu | piano | Cheryl Duvall premiere | 3.33′ | |
| 2021 | Leaf | vibraphone (CCA) | for Katie Rife | 4′ | |
| 2021 | Varied Thrush | harpsichord | for Wesley Shen, premiere Dec 16 | 4.5′ | |
| 2021 | I went down and down until the wing tips of the angels brushed my eyes | Bb Clarinet | for Heather Roche | 6′ | |
| 2021 | Entangle | piano (CCA) | for Wesley Shen | 4′ | |
| 2021 | Small, like the wren… | piano (CCA) | for Cheryl Duvall | 50′ | |
| 2021 | Woolgathering | piano (CCA) | for Wesley Shen | 25′ | |
| 2019 | Nocturne for ES | piano | Keiko Shichijo, audio | 5′ | |
| 2019 | Low Tide | piano | Francesca Hurst, audio | 6′ | |
| 2019 | Yellow bird | piano | Cheryl Duvall, audio | 7′ | |
| 2019 | Late Winter | piano, left hand | for Adam Scime, Cheryl Duvall, audio | 5′ | |
| 2019 | Adagio | piano (CCA) | Cheryl Duvall, audio | 14′ | |
| 2019 | Small Meadows in Spring | harpsichord (CCA) | Wesley Shen, audio | 7′ | |
| 2016 | Vines and Shadows | harpsichord | Wesley Shen, audio | 5′ | |
| 2016 | Water Walking | violin (CCA) | Mira Benjamin, audio | 10′ | |
| 2016 | Harbour | piano | Cheryl Duvall, audio | 25′ | |
| 2019 | Fern, revised | Alto flute | Leslie Newman, audio | 7.5′ | |
| 2013 | Fern | Baroque flute | Emma Elkinson, audio | 7.5′ | |
| 2012 | Rhizome | accordion | Ina Henning, audio | 6′ | |
| 2011 | Allemande | piano | Jane Wood, Moritz Ernst, Cheryl Duvall, audio | 14′ | |
| 2010 | Darkness… pines | piano | Jane Wood, Roger Admiral, Cheryl Duvall, audio | 15′ | |
| 2007 | Interview | trumpet | Amy Horvey | 10′ | |
| 2006 | Spill Forms (4) | clarinet | Heather Roche, audio | 6′ | |
| Chamber Music | |||||
| 2021 | peregrine felt | english horn + bassoon (CCA) | Katelin Coleman, Morgan Zentner | 4′ | |
| 2019/20 | Arctic Blooms | violin, clarinet, piano | Alkali Collective, audio | 12′ | |
| 2021 | After the rain | viola + piano | Anna Atkinson, audio | 6′ | |
| 2021 | abalone | 2 cl, pn, vibraphone, 4 vn, 2 va | Glenn Gould Ensemble, audio | 10′ | |
| 2020 | for cello and piano | cello + piano | Amahl Arulanandam, Cheryl Duvall, audio | 4′ | |
| 2019 | skins dissolving | 8 flutes + cello | Tempest Flute Ens (CCA), (excerpt) audio | 10′ | |
| 2018 | tributary | vln, bass cl + piano | Heather Roche, Tzenka Dianova, Ilya Gotchev, audio | 3′ | |
| 2018 | coral | fl, cl, perc, pn, vn, vc | Standing Wave (CCA) | 13′ | |
| 2019 | blind | vn, va, vc, db | Red Shift (CCA), audio | 8′ | |
| 2017 | float | alto fl, bass cl, e horn, bssn, fr horn + piano | Blythwood Winds | 10′ | |
| 2015 | fog | bass fl, bass cl, pn, vn, vc | Paramirabo (CCA, TAC), audio | 10′ | |
| 2015 | murmuring | traverso, harpsichord, Baroque violin, Baroque cello | Blue Moss Ensemble | 16′ | |
| 2015 | linen | 2 vn, cello, pno | Thin Edge Collective, audio | 9′ | |
| 2014 | paisley | accordion and baritone saxophone | Ina Henning, Wallace Halladay, audio | 5.36 ′ | |
| 2012 | lattice, rev. 2014 | violin + piano | Thin Edge, Continuum, audio | 13′ | |
| 2010 | ghosts of swallows | piccolo, cl, prepared piano, perc, vn, vc | Continuum, Sonic Lab, Esprit, audio | 6.5′ | |
| 2009 | divertissement | 10 spatialized flutes | Tempest Flute Choir, Redshift | 4.5′ | |
| Large Ensemble | |||||
| 2021 | Small Stone Figure | wind symphony (35 players) | Naden Band of the Royal Canadian Navy, Catherine Norris, conductor | 3.5′ | |
| 2018 | IceFolding | 1111 1110 perc, pn, strings (22221) + Soprano, Alto, Tenor, Baritone | Glenn Gould New Music Ensemble, Brian Current, conductor, 21C Festival,(excerpt) audio | 14′ | |
| 2011 | Emily’s Piece (with Emily Carr projections) | 2222 2210 2 perc harp strings (65442) +video | Victoria Symphony, excerpt I, audio, excerpt II, audio | 23′ | |
| 2009 | Snow Variations | 2222 2221 2perc harp strings | Victoria Symphony | 12′ | |
| 2008 | Trace the Gold Sun (flute concerto) | flute solo, cl, hn, tbn, 2 perc, pn, strings (65442) | Victoria Symphony and Mark McGregor | 19′ | |
| 2006 | Spill Forms | 2020 2200 perc strings (65442) | Victoria Symphony | 6′ | |
| 2013 | Drømde mik en drøm i nat | string orchestra and english horn and french horn | 14′ | ||
| Strings | |||||
| 2019 | blind | violin, viola, cello, double bass | Red Shift Ensemble (CCA), excerpt of audio | 8′ | |
| 2015 | moths drink the tears of sleeping birds | string quartet | Quatuor Bozzini, audio | 15′ | |
| 2011 | slanted birds | string quartet | Quatuor Bozzini | 2.5 | |
| 2006 | ink drifting | string quartet | Quatuor Bozzini | 8.5′ | |
| Voice | |||||
| 2020 | Eternity (William Blake) | low female voice + piano | 1.5′ | ||
| 2020 | Flower (Tristan Tzara) | low female voice + piano | 2.5′ | ||
| 2020 | L’Infinito (Leopardi) | low female voice + piano | 3′ | ||
| 2016 | An Fränzi (Hennings) | tenor + piano | FAWN for Jonathan MacArthur and Darren Creech | 2.5′ | |
| 2016 | Yet the Rain falls more Gently | soprano, cl, perc, pn, vn, vc | Array Music (Cooper/Epstein/Moore), audio | 12′ | |
| 2011 | Voix (2021 revised) | low female voice | Cari Burdett, Maureen Batt | 1 minute | |
| 2011 | Snow (2021 revised) | low female voice | Cari Burdett, Maureen Batt | 1 minute | |
| 2009 | What her Friend Said | soprano + piano | Cathy Fern Lewis | 5′ | |
| Intermedia/Installation | |||||
| 2018-9 | Forest II | open score of video and field recordings | Victoria, B.C. | ~ | |
| 2016 | La Fôret | sculptural installation with sound | Matralab, Concordia (OAC) | ~ | |
| 2017 | Invisible Forest | baritone, perc, pn, harp, vn, vn, va, vc | Continuum Ensemble and Alex Dobson (CCA/TAC) | 19′ | |
| 2013 | Nuyamł-ił Kulhulmx—Singing the Earth | Concert Installation for mezzo soprano, cl, acc, perc, pno, vn, db | Continuum Ensemble (CCA, OAC, TAC, University of Toronto, University of Alberta, SSHRC, European Research Council, Centre for Indigeneity at Royal Holloway, University of London)
Vancouver Symphony (2017) |
50′ | |
| 2011 | Vertical Studies | flute, violin, piano and video | Pendulum Ensemble | 18′ | |
| 2009 | Moment Forum (Intermission Interarts) | 3-room installation for solo piano and one audience member | Centre for Opera/Music Theatre, Univ of Sussex | 180′ | |
| 2007-4 | Mnemosyne Space (Intermission Interarts) | soprano, prepared pn, banjo, real-time electronic processing | Puebla, Mexico, Victoria, St. Petersburg, Russia | ~ | |
| 2005 | Ligeti (Intermission Interarts Collective) | 2-room installation for 2 pianists/gesturalists and one actor | Philip T. Young, University of Victoria | 60′ | |
| Opera | |||||
| 2021 | Cells of Wind; libretto Oana Avasilichioaei | For 8 Voices and 6 musicians (fl, cl, acc, perc, vn, cello) | FAWN Chamber Collective (OAC) | 50′ | |
| 2006 | What Time is it Now? libretto P.K. Page | soprano, mezzo, tenor, cl, pno, perc, vn, vc, cb | Victoria Symphony, Cathy Fern Lewis, Kiiri Michelsen | 55′ | |
| Music for Video, Film, Theatre and Dance | |||||
| 2006 | Keystone | electronic dance score for Lori Hamar | Suddenly Dance, Victoria, InFrinGinG, Nanaimo, BC | 45′ | |
| 2005 | Once a Fish | music for film short co-created with David Cecchetto | Ling Chiu, director, Modern Family Productions | 16′ | |
| 2004 | Ephemeral | electronic dance score | Lisa Hostman, dancer | 12′ | |
| 2004 | A Fortune in Frozen Dim Sum | music for film short | Ling Chiu, director, Moving Images Distribution | 13′ | |
| 2003 | Chinese Cemetary, From Harling Point | music for documentary | National Film Board of Canada | 40′ | |
| 2002 | The Monument by Colleen Wagner | music for theatre | Phoenix Theatre, Victoria | 90′ | |
| 1999 | Tethers | music for film short | Ling Chiu, director, Moving Images Distribution | 6′ | |
| 1996 | Tee Hee Hee | music for film short | Ling Chiu, director, Moving Images Distribution | 4′ | |
| Arrangments | |||||
| Out on the Mira | 3 tenors and orchestra | 3 Canadian Tenors, Warner Music Canada | |||
| We Rise Again | 3 tenors and orchestra | 3 Canadian Tenors | |||
| Home I’ll Be | 3 tenors and orchestra | 3 Canadian Tenors | |||
| Carnival of the Animals | clarinet, tbn, perc, vln | Music Corner Ensemble | |||